Learn how to create smooth curves using the Pen Tool. It is recommended that you follow along on Photoshop while reading this article. This will make the learning experience much more enjoyable
The holiday season is fast approaching and people will soon be using Photoshop to create Christmas greeting cards, banners, and flyers. Most of them will probably want to create some pictures of Christmas decorations on those cards. This is a quick and dirty tutorial to get started with creating ornaments
If you have ever found your self selecting and then re-selecting the same portion of an image in Photoshop then you are in dire need of Alpha Masks.
Scenario: Imagine that you are working on a Photoshop project where you had to carefully select something. You took about 10 minutes to successfully select something. Then you worked in the selection for another 10 minutes and then you deselected only to realize that you forgot to apply a stroke (Edit > Stroke) to the image. What now? You’ll have to spend another 10 minutes re-selecting.
The whole re-selecting process could have been avoided if you had used Alpha Channels to save your selection.
Selecting an Alien Flower
1) Here I have selected what appears to be an alien flower. It took me about five minutes (I selected in Quick Mask mode). I wouldn’t want to spend another 5 minutes re-selecting it in the future.
Saving the Selection For Ever
2) So now I want to save this selection. With a stroke of genius, I glide my mouse pointer with extraordinary skill all the way to the Select menu. While in this menu I click on Save Selection. Tada! I have successfully saved the selection. I’ll never have to re-select that alien flower ever again.
If you did the same then you should see something like the following window appear:
Enter a name and click ok.
Wait? What Happened?
3) Nothing appeared to happen but if you go to your Channels Palette ( Window > Channels ) then you will see an Alpha Channel. This is the saved selection.
Moment of Truth.
4) De-select the current selection ( Press CTRL/CMD+D). Now if you want the selection to come back then just CTRL/CMD+ Click on the new Alpha Channel (called Alien Flower in this example) and your selection will return. Whew!
Not only will this selection re-use allow you to save time but now you have access to a whole new list of channel features.
5) If you click on the Alpha Channel, the entire image will turn black and white.
- The areas that are not selected will be black
- The areas that were with in the selection will be white.
- The areas that are translucent or partially transparent will appear as shades of gray.
This view is helpful because you can check if you have errors in your selection. If your selection is fuzzy then you can adjust the levels ( Image > Adjustments > Levels ) or sharpen the selection ( Filter > Sharpen > Smart Sharpen ).
You are allowed to use most of the filters and image adjustment tools in this view. You can use this for your advantage and create lots of fun and useful effects. I’ll try to cover some of these in the days ahead. 😉
You can also use the paint brush, paint bucket, or pencil tool to reshape the selection. If you paint black then that area will get deselected. If you paint white then those areas will get selected. Gray areas will be semi-transparent.
- Line Art – How to separate the Lines from the Paper
- Spot Colors
- Channel Effects
- and more.
[tags]Channels, Alpha, Tutorial, Tips, Photoshop, Alpha Channels, Howto[/tags]
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This tutorial is for people who are just starting out Photoshop or for the people who have been using Photoshop but don’t know how to use Layer Masks.
The basics of Layer masks are incredibly simple but very powerful.
As always we’ll go over a simple tutorial that will quickly teach you how to use Layer Mask Basics. I think that actually doing something is the best way to learn. At least doing some thing is much, much better than just reading about it 😀
First, a tiny intro:
What happens when someone wears a mask?
Dumb Question, yeah? It’s obvious that everything behind the mask is not visible and everything else is visible. That’s basically how Layer masks work except that you choose where the mask is and how opaque it is. Simple huh? So let’s follow a quick tutorial.
The Final Result of the tutorial is:
Yeah, so it’s a glass that is behind some rocks but in front of the ocean. Notice that the glass is partially transparent and you can see the ocean from inside it but the straw, slice of lemon and the stem of the glass are opaque. And yeah… I know the image isn’t going to win any awards but it’s great for explaining Layer masks 😀
Step 1: Find two images that you want to combine. Here are the images I used:
Step 2: Open both the images in Photoshop. Then, choose the Arrow / Move Tool. Click on the glass image and drag it over to the image with the guy fishing. You can resize the glass so that it’s not too big or you can leave it the way it is. Your choice. Click here for a short flash video of this step if you are having trouble moving the glass image on top of the ocean image.
Step 3: Choose the layer with the glass and then click on the Layer Mask button. It’s the rectangle with the circle in it.
After clicking you’ll see something like this:
There it is! The layer mask. Currently it is set to reveal all of the image, meaning that the mask is off and nothing is hidden (since it is revealing everything!)
Now we actually use the mask. First let’s think of what we’re trying to do.
- We want just the glass visible so we need to get rid of the background of the glass image.
- We also don’t want all of the stem of the glass visible because we want to give the illusion that the glass is sitting behind the rocks.
- We also want part of the top of the glass transparent because we want the viewer to see through it.
If we used just layers and opacity of layers to accomplish this then we’d end up cutting up glass in lots of portions and messing with the opacity and it would be tedious and really, really annoying and would take a long time. That is why we’ll use the layer mask!
Hmm, you’ll also notice that when you click on the layer mask your colors in the color picker turn to black and white. So here it is… the secret of Layer masks: Depending on what the settings are, the color WHITE shows or reveals the image AND the color BLACK hides or masks the image (We’re talking about the image on which the layer mask is applied, not the layer below it). So on to step 4…
Step 4: Grab your PAINTBRUSH. Choose BLACK and start wildly painting. Paint over the stem so it looks like the rocks are infront. Paint over the background of the glass image. Keep on painting until you only have the glass. Now what if you make a mistake and hide part of the glass? No problem. Layer masks are not destructive so just change the color to WHITE and paint over the glass and it’ll magically reappear. You can basically adjust the brush size, or the shade of
gray and you get way more control than using destructive methods. If you use an eraser you can’t easily undo something you did 20 steps before etc etc.
So here is my version of this step:
I’m not worried about being perfect because nothing is being deleted. It’s all there. Just hit the “X” key on your keyboard and you’ll quickly switch between black and white and you can fix your mistakes. Now after you have quickly erased everything that is not needed just zoom waaay in and with a small brush just fix up the edges so they look good. Be sure to get that area in between that lemon slice 😀 .
So now I have something like this:
Step 5: Finally, we need to make the glass a bit transparent. You can do two things. You can a) Set the opacity of the brush to 50% and then paint right over the glass or b) You can change the color of your brush to gray and then paint over the areas you want to make transparent. Using the current settings (i.e White reveals) then if you make your brush dark gray then your glass will be less opaque and more transparent. If you choose light gray then your glass will appear less transparent. Just
paint it gray in the areas where you want it to appear slightly transparent but not in the areas with the lemon slice and straws. If you can’t make the transparent area look smooth (ie. you can see the brush strokes) then just grab the smudge tool and lightly smudge the gray area until it looks good and smooth. You can use any filter or tool on the layer mask and it’ll give you a new sort of effect :D.
That is all. You have the final image:
I hope I was able to show you how layer masks can make your life easier. This is obviously not the only thing you can do with layer masks so keep playing with this and learn more. If you have any questions then leave me comments below and I’ll try my best to get back to you in a timely fashion.
- Layer Masks are one of the easiest features of Photoshop to understand. A Layer mask is just what it sounds like: a mask that goes on a layer. Think of what happens when a person wears a mask. You can see through the holes but not through the mask itself. It’s a great way to non-destructively hide parts of a layer. You will not lose any data and to go back to the original state you’ll just delete the mask.
- You can go to Layer > Layer Masks > Reveal All or Hide All to apply the mask (also you can just choose the rectangle with the circle from the Layers window.)
- Use the “X” key to quickly switch between Black and White (to show and hide)
- Shades of Gray in a layer mask change the opacity of the layer.
- A link icon appears in the middle of the layer and the layer mask. If it is linked then both the mask and layer can be moved together. If it is unlinked then you can independently move the layer and its mask.
- Be sure to click the Layer mask rectangle in the layer window when working with layer masks.
- Commonly, layer masks are used with Text and Gradients so experiment with those.
- I’ll continue updating this page with more tutorials and examples if I can think of any 😀
- Comments, Critiques and suggestions are always welcome.
A new feature of Photoshop CS2 is the Smart Sharpen tool. This tool provides photographers with even more control over their photographs. Unfortunately, this tool is not available in previous versions of Adobe Photoshop, therefore, only users who have upgraded to Photoshop CS2 will be able to benefit from this tutorial. This is the first change in the Filter>Sharpen menu in 14 years! ( Learn about Sharpening Basics by clicking here for part 1 of this series )
NOTE: You can click on all the images to increase their size! 😀
The Smart Sharpen tool can be found by going to the Filter Menu Item and then going in to the Sharpen Menu.
Filter > Sharpen > Smart Sharpen.
You will now see a window called “Smart Sharpen”. This window has an option to choose from Basic and Advanced modes. Below that you will see a Settings drop down menu. This settings drop down menu allows you to save the current settings so you can easily get to them later.Below that you will see Amount and Radius.
So far everything is very similar to the Unsharp Mask tool. The difference will now be apparent because of the Remove options. The Remove Drop down menu has three options. These allow you to remove Gaussian Blur, Lens Blur and Motion Blur. Each option triggers a different algorithm that Photoshop uses to remove these specific types of blurs. Finally, if you choose the Advanced Radio button you will be able to see three tabs: Sharpen, Highlights and Shadows. These allow the user to set the sharpness of the midtones, highlights and shadows. This is useful because sometimes you don’t want the shadows to be as sharp as the highlights (or vice versa) .
Let’s go over each option available to us:
The Remove Options
These options allow us to remove blurs caused by the three common types of blurs: Gaussian, Lens and Motion blurs.
Removing Gaussian Blur
The Gaussian Blur is very similar to viewing an image from an out-of-focus lens. If your image has a consistent soft blur with no areas of sharpness then this is the option to use. If the image you are working on is slightly out of focus then applying the Gaussian Blur Removal option will fix that problem. This is very similar to our regular unsharp masking technique. Nothing new here.
Removing Lens Blur
A lens blur is similar to Gaussian blur but a little different because it is not as soft. The Lens Blur Removal option removes the lens blur while finding edges and not creating obvious halos. This is also useful for images with finer details.
Removing Motion Blur
A motion blur happen when the camera or the subject moves or the camera shutter is open for too long. A faint trail of the subject is formed and there is little sharpness to the image. After choosing the Motion Blur removal option you will see that you are given the option to choose the angle. Just choose the angle that is as close as possible to the direction of the motion blur. The more accurate you are with the angle the better the motion blur will be fixed.
The Motion Blur Removal option works best if the motion blur happens only in one direction. Sometimes the camera may move in many directions and if that happens then the result of this tool is not very great but you can try applying two remove-motion-blur smart sharpens one after the other for each angle in which the motion blur exists.
There are times when you might want only some parts of an image sharpened while leaving the rest untouched. There may be times when you want to sharpen parts of an image more than other parts. Put your selection tools back because you probably won’t need them because the smart sharpen tool will take care of everything.
Clicking on the Advanced radio button will bring up three tabs called Sharpen, Shadow and Highlight. The Shadow and Highlight tabs have three sliders called Fade Amount, Tonal Width and Radius.
The main advantage of the Advanced mode of the Sharpen tool is that it allows us to set the sharpness of Midtones, Shadows and Highlights individually. Mainly we’ll be controlling what gets sharpened LESS.
- The Fade Amount controls the strength of the sharpening in either areas that are considered shadows or highlights (depending on which tab you are currently in). If you increase the fade amount of shadows then the dark areas of your image will not be as sharp. If you increase the fade amount of highlights then the light areas will not be as sharp. The higher this setting, the more the sharpness decreases. The lower this setting, the more the sharpness increases.
Here is a demonstration of Fade Amount:
1. Let’s take a look at this Arch thingamajig:
2. I’m going to zoom in to one of the shadows and INCREASE the fade amount to 100%
3. Next, I’m going to DECREASE the fade amount to 0%
4. Did you notice the sharpness of the shadows? When the fade amount of the shadows is 100% then the shadows don’t get sharpened. When you decrease the fade amount to 0% then all the shadows get the full sharpness treatment! Pretty neat!
- The Tonal Width controls which tonal values will be affected by the reduction in sharpness. The tonal width is defined as the difference between the lightest part of the image and the darkest part of the image. The Tonal Width slider determines which tonal values will be sharpened (or not sharpened). If the value of the Tonal Width slider is small then only lightest highlights or darkest shadows (depending on whether you are in the highlights or shadows tab) will be affected by the sharpening reduction. If the value of the Tonal width slider is great then a greater range or highlights or shadows will be affected by the sharpening reduction.
Here is an example:
1. We’ll take the same image again. First I’m going to set the fade amount to 100% (Recall that increasing the fade amount decreases the sharpness). Then I’m going to change the tonal width to 0%. You’ll notice that everything is sharpened despite the fact that the fade amount is 100%. The reason for that is that the Tonal width controls where the sharpness DECREASES. So when you change the tonal width to 0% then the sharpness does not decrease anywhere.
2. Now I will increase the Tonal width to 100% and the sharpeness gets reduced all over the image.
The Radius slider determines which areas are to be considered shadows or highlights. This basically controls the size of the area around each pixel that is used to determine whether a pixel is a shadow or a highlight. A small radius means that small patches of darks and lights will be considered shadows or highlights. A large radius means that large patches of darks and lights will be considered to be shadows or highlights.
Let’s Smart Sharpen an image (Click the images to enlarge) :
1. I’m going to choose the first image I get from http://www.sxc.hu
2. Open up the Smart Sharpen Tool (Filter>Sharpen>Smart Sharpen). Choose the advanced radio button and make sure all the settings in Shadows and Highlights tab are set to zero.
3. Go back to the sharpen tab and adjust the settings mainly to get a good sharp edge. I used the following settings:
4. Now go to the shadows tab. Now we will increase these settings so we can remove as much noise from the shadows as possible. I zoomed into an area with lots of shadow. I used the following settings and it seemed to rid the noise quite well with out loosing sharpness.
5. Finally I went to the highlights tab and removed as much noise as I could from highlights. I also made sure that the image did retain some softness (your preference).
6. The final image and the initial image has subtle differences and most of the time these subtle differences are what really matter.
Here is another example of sharpness correction:
I hope you found this tutorial helpful. There are even more sharpness techniques that I will cover in the near future. At this time I feel like creating my next tutorial about something other than sharpness 😀 Thanks for readings. Comments are encouraged.